Eclecticity

Lack of updates is due to coursework deadlines, gotta love being a CS student. More fun stuff will appear here in the near future. For now:
- Check out my review of Young Knives' new album on Intuition
- I went to see Saves The Day in London and I have a couple of phone photos that weren't too bad, so I'll fix them up and put them online soon.
- ...and finally, here is a silly last.fm thing I found.

Take your top 50 artists. For each of these artists, collect the top 20 similar artists (where the artist itself is the #1 most similar). The resulting number of unique artists is your super-eclectic score. You can compute your own score at http://anthony.liekens.net/pub/scripts/last.fm/supereclectic.php

My super-eclectic score is currently

708/1000

The most similar artists for my profile are Funeral for a Friend (7), Finch (6), Kasabian (6), Yourcodenameis:milo (5), The Early November (5), The Futureheads (5), Taking Back Sunday (5), The Starting Line (5), Glassjaw (5), Franz Ferdinand (4)

I don't actually listen to about four of those bands, so it's interesting that I have multiple artists that are similar to them!

Ragfest 2011

On 26th March, Bristol LiveSoc and Bristol RAG co-hosted the second annual Ragfest, a night of live music in aid of charity. I was there with UBU Photosoc Events Team getting the whole thing captured on camera. There were two stages across the main Anson Room and Ar2 in the University of Bristol Students' Union, so I was flitting back and forth trying to make sure I got enough pictures of each act. Rather than rambling on, I'll cut straight to the pictures! Many more here.


LAD NTL


The End Effect


Pieman


Max Parker


Kill Cassidy


Jim Horne, Publicity Stunt


Greg Walton, Publicity Stunt


Calm Down Caesar


The Goodness


The Lasting Days


The Phoenix and the Turtle


Mary Spender


Indigo Lights

Publicity Stunt

It's been a while since my last photo post, mostly because I haven't uploaded anything to Flickr for some time. So here, have a massive update!

Some friends of mine are in a ska band, Publicity Stunt. They played their first couple of shows at The Hill recently and I was there taking photos.













I took more on both nights. Publicity Stunt will be playing more gigs in the near future, so I'll keep you updated on that.

Coming up in the next week or so, photos from Ragfest!

Does It Offend You, Yeah? – Don’t Say We Didn’t Warn You

The second album from electronic quintet Does It Offend You, Yeah? is a bizarre experimental affair that doesn’t quite hit the mark. Lead single ‘We are the Dead’ is promising, yet the abstract tribal vocals don’t add anything to the pulsing synth melody. The acoustic intro feels forced, completely at odds to the rest of the song. The chaotic ‘John Hurt’ includes an entirely out of place sample, which is a real shame as the song is otherwise one of the best tracks on the album.

It becomes increasingly clear throughout the record that DIOYY have simply tried to do too much; instead of subtly pushing boundaries, the band have run riot and caused a fair amount of musical destruction. ‘Yeah!’ is an incredibly out-of-tune sounding Pendulum-esque mess. There are a couple of more alt-rock tracks, ‘Pull Out My Insides’ and ‘Wrong Time Wrong Planet’ which aren’t bad at all, but just fail to fit in with the rest of the album. ‘Wrestler’ is a slap in the face vocally and would have worked much better as an instrumental track.

A guest appearance from Trip on ‘Wondering’ is very different to what one would expect from DIOYY but works well with the blistering electronic bass. The chorus is a bit of a let-down due to the cutesy vocals though. The album closes with ‘Broken Arms’, a curious melange of acoustic and electronic that doesn’t meld well, leaving the listener with a distinctly unsettled impression. ‘Don’t Say We Didn’t Warn You’ is a mash-up of too many genres; the variety is simply strained rather than welcoming. This is just too weird to get into even after multiple listens, but it has some interesting moments.

Lady Gaga, Everything Everything, Panic! at the Disco singles

A few single reviews for you this week...

Lady Gaga – Born This Way
Lady Gaga is back with a classic pop track that is a more generic outing, lacking the quirky shimmer of previous singles. However, ‘Born This Way’ is sure to be a massive hit and an instant floor-filler, deservedly so.

Everything Everything – Final Form
This low key single is well-composed, with delicate layers of vocals and subtle electronic melody. ‘Final Form’ isn’t the most accessible of songs, yet it shows off Everything Everything at their best.

Panic! At The Disco – The Ballad of Mona Lisa
Following the departure of half the band members, Panic! At The Disco have finally regrouped and return with an excellent new track. The folky Beatles sound of previous album ‘Pretty. Odd.’ has fortunately vanished and the loss of primary lyricist Ryan Ross hasn’t impacted the band’s ability to come up with original, memorable music at all. ‘The Ballad of Mona Lisa’ matches the creepy cabaret atmosphere of first album ‘A Fever You Can’t Sweat Out’ with Fall Out Boy style pop rock to make a track that has definitely been worth the wait.

Dinosaur Pile-Up – My Rock ‘n’ Roll

Dinosaur Pile-Up – My Rock ‘n’ Roll

This grunge-tinged track is a winner, matching a chaotic breakdown with fun vocal harmonies. This has all the ingredients to do well in the mainstream, yet is still undeniably rock music.

I interviewed the band ahead of their show at Bristol O2 Academy last week and I will be playing the interview on my radio show on Monday at 3pm, so make sure you listen online!

Twin Atlantic – Edit Me

Twin Atlantic – Edit Me

The storming new single from Scottish rockers Twin Atlantic is a high-powered affair, more hard-hitting than their previous singles. Definitely a sign that the new album is likely to be just as good.

Call the Doctor – Take It Out

Call the Doctor – Take It Out

Featuring understated sultry vocals, this post-punk single could do with a bit more vitality to give it that extra kick. The instrumental parts are more infused with energy, which doesn’t match up with the vocals. Worth listening to, but definitely leaves you wanting a bit more. B-side ‘Gregory, You’re a Star’ has the punk edge that ‘Take It Out’ lacks, and would work well in a live setting.

Studio Time

Alex gave a group of us a tutorial on studio lighting last week.


Jamie with an umbrella. Since some of the studio kit is a bit dodgy, we didn't have a stand for this umbrella and used it as a prop instead.


Tom poses with his beloved headphones.


Photosoc's Film Guru Ben loads some film.


Tom lit from the side. I'd quite like to have a play with different lighting setups minus a studio backdrop, more similar to this shot.


Ben checks some negatives after returning from a darkroom session. Unfortunately we only had one working trigger, so with four of us trying to take photos against the backdrop I decided to take some from other angles.


With about ten minutes to go before the end of the room booking, Mikey appeared with some props for band photos. I took a few of him and Jamie for their electronic project, Lad Neutral. This one is for Mikey's solo act, asinglebiteofcherry.

There are many more (including some with a ladder that had been abandoned in the room we were using) here.

You Me at Six ft Chiddy - Rescue Me

You Me at Six ft Chiddy - Rescue Me

This single sees the Surrey five-piece lose a little of the punk attitude and energy that made their debut album stand out, but shows they definitely have the talent to compose unique pop songs. The unexpected collaboration with Chiddy shows that You Me at Six aren’t one trick ponies, yet this Airplanes-esque track certainly isn’t groundbreaking.

Roma, January 2011: Part 2

I've uploaded all my photos from Rome now!

Here are a few pictures:


Light trails!


A rather grand building which we stumbled across.



A wall in the Roman Forum.



A flock of starlings.

Belle and Sebastian – I Want the World to Stop

Belle and Sebastian – I Want the World to Stop

The breezily melancholy new single from indie titans Belle and Sebastian is lifted from the band’s eighth studio album. Catchy as ever, the strong vocal line is supported by gentle backing singing. The band maintain their high standards of musicianship with the inclusion of a variety of instruments, pushing the boundaries of pop in their own understated way.

Release date: 28th February 2011