Monday 29 November 2010

Balloons

For Joe's birthday, Josh had the idea of filling up his room with lots of balloons...and so a packet of 100 balloons was obtained. The valiant efforts of Jamie, Josh and Tom (I had to stop helping because I ran out of breath) were rewarded with a room full of floating orbs, which were transported down the corridor into Joe's room.


Joe surrounded by balloons.

Later, the balloons started randomly bursting in the middle of the night so they were moved into the corridor.


A veritable sea of balloons!

More here.

Friday 26 November 2010

Bristol Student Protest

On Wednesday students from the University of Bristol, the University of the West of England and various 6th forms came together to protest against the rise in tuition fees.

I was at the protest for a couple of hours, so here's some shots. As per usual, more on Flickr.


Protestors making their way up Park Street.


Joe and Josh watching the protest.


A protestor being arrested on Park Street.

Saturday 20 November 2010

Alexisonfire – Dog’s Blood

Alexisonfire – Dog’s Blood
Following the more atmospheric Old Crows/Young Cardinals album, the Dog’s Blood EP sees Alexisonfire head to heavier, more experimental territory. The title track kicks off with a fast punk guitar intro, complementing George Pettit and Wade MacNeil’s brutal vocals. Dallas Green’s melodious singing cuts through the frenzy, providing the perfect contrast to the turmoil and adding more emotion to the outro. ‘Grey’ features a laid back guitar solo that builds to an epic conclusion, with a clear post-rock influence in the guitar line throughout.

The explosions of noise continue in ‘Black As Jet’, which has intense instrumental sections that are just as frantic as those with screamed vocals. EP closer ‘Vex’ is a six minute journey into sonic fury and is entirely instrumental. Although it is great to hear the band trying something different, this record would be much better if Green had a more prominent role in the vocals. His style would fit the intense instrumentation perfectly. Dog’s Blood is a record borne of immense skill and Alexisonfire have seriously upped their game since the last album. Far from alienating fans, as Pettit feared, this EP will surely gain the band a slew of new ones as well as providing old fans with a glimpse into a more evolved sound.

Listen to them here.

The Bees - Winter Rose

The Bees - Winter Rose

From The Bees’ recently released fourth album, ‘Every Step’s A Yes’, ‘Winter Rose’ is a relaxing indie track with a reggae feel. The bluesy guitar riff goes well with the syncopated rhythms. The range of influences shows off the strong songwriting skills of a band that have developed their sound over the years.

Listen to them here.

School of Seven Bells – I L U

School of Seven Bells – I L U
This dreamy track from two-piece School of Seven Bells is a fairly standard female-fronted alt pop affair. ‘I L U’ lingers halfway between ethereal and edgy, failing to immediately grab the listener’s attention, yet the song is definitely a grower. Alejandra Deheza’s delicate vocals and Benjamin Curtis’ electro-influenced instrumentation work well together.

Check them out here.

Melissa Auf der Maur - Meet Me On The Dark Side

Melissa Auf der Maur - Meet Me On The Dark Side

Layered vocals lend an eerie air to the latest single from Melissa Auf der Maur’s second solo album. This ethereal rock track is well worth a listen and typical of Auf der Maur’s mature take on the genre. If you enjoy this, the rest of the album is definitely one to check out.

Listen here.

The Phoenix Foundation - Pot

The Phoenix Foundation - Pot

New Zealand band The Phoenix Foundation return with a new song from their forthcoming album, ‘Buffalo’. ‘Pot’ is a seemingly ordinary slice of folk pop along the lines of Mumford & Sons, with added handclaps. Halfway through, some interesting electronic bleeps kick in, elevating the song from an indie standard to something more innovative.

Check them out here.

Sunday 14 November 2010

The Concretes - WYWH

The Concretes - WYWH

The new album from The Concretes is a dreamy alt-pop affair, which slides into electronic territory at times. Although the press release describes this record as having “added disco shizzle”, that isn’t quite the case, as is evident from the first track. ‘Good Evening’ is a sumptuously spacey song, with delicate vocals. Disco really doesn’t show up at all, though there is a nice electro beat that makes an all-too fleeting appearance. The vocals may not be to everyone’s taste, remaining fairly monotonous throughout the album.

It is difficult to see how an eight-piece can produce quite pedestrian music. There are interesting ideas explored on WYWH, but the band members simply don’t push the boundaries enough. Tracks like ‘All Day’ are relaxingly pleasant pop songs but need an extra edginess to make them worth listening to. ‘What We’ve Become’ does this successfully, the funk-esque guitar chords contrasting perfectly with the bass line. Overall, WYWH is a fairly average record.

Check them out here.

My Chemical Romance - Na Na Na

My Chemical Romance - Na Na Na

The first single from My Chemical Romance’s fourth album is a complete change in direction, taking the relentlessly upbeat mood of songs such as ‘Dead’ and ‘Give ‘Em Hell Kid’ to the next level altogether. The catchy refrain repeated throughout the song makes this a perfect live anthem. Despite being a clear departure from the more pensive ‘The Black Parade’, this song already shows that My Chemical Romance are back on form and set to make an explosive return to the music scene.

Check them out here.