And So I Watch You From Afar - And So I Watch You From Afar
From start to finish, this record is packed with intricate guitarwork of an exceedingly high quality, contrasted with heavier chordal attacks. The general absence of vocals is not a detriment to the music at all; And So I Watch You From Afar have merely stepped up the game in terms of musicianship in order to draw the listener in. This is epic, (mostly) instrumental rock that is incredibly enthralling.
Final verdict: 9/10, must buy.
Check them out here.
More about A New Mission.
Friday, 2 July 2010
A New Mission Part 1: !!! to And So I Watch You From Afar
I have a ridiculous number of artists in my music collection, 1191 according to iTunes. This is basically because I end up with a lot of solitary tracks from compilations, so I don't actually own full albums by all of these artists and in many cases have never listened to one of their records in its entirety.
This is going to change. I'm going through my music library and seeking out albums to listen to. To begin with I'll be using Spotify, and once I get through everything I can I may turn to purchasing music.
First up, !!! - yes, that is their name and it is pronounced "chk chk chk". I've only got one song by them, and they're not on Spotify.
Next, :( - again I've got one song and they're not on Spotify.
This is going to be a bit of an issue as a lot of these artists aren't exactly mainstream!
And So I Watch You From Afar - bingo! Self titled album is available, finger is poised over the play button. I'll let you know how it goes. I own the first two tracks from this album, "Set Guitars To Kill" and "A Little Bit Of Solidarity Goes A Long Way".
This is going to change. I'm going through my music library and seeking out albums to listen to. To begin with I'll be using Spotify, and once I get through everything I can I may turn to purchasing music.
First up, !!! - yes, that is their name and it is pronounced "chk chk chk". I've only got one song by them, and they're not on Spotify.
Next, :( - again I've got one song and they're not on Spotify.
This is going to be a bit of an issue as a lot of these artists aren't exactly mainstream!
And So I Watch You From Afar - bingo! Self titled album is available, finger is poised over the play button. I'll let you know how it goes. I own the first two tracks from this album, "Set Guitars To Kill" and "A Little Bit Of Solidarity Goes A Long Way".
Labels:
:(,
a new mission,
and so i watch you from afar,
chkchkchk,
mission fail
Thursday, 1 July 2010
More mini reviews!
More stuff I thought looked interesting in Rock Sound...
Apologies, I Have None: These Londoners play punchy alt-rock that is catchy and instantly likeable. While these songs aren't groundbreaking, Apologies, I Have None are definitely capable of penning something as epic as the Get Up Kids' Holiday.
Basement: This is hardcore punk with a tender edge; while the vocals are typically rough, the music conveys more emotion than the average hardcore band.
fun.: Featuing Nate Reuss of The Format, fun. express themselves with avant-garde pop music that incorporates a variety of instruments.
Boy Jumps Ship: An energetic burst of pop punk; really refreshing.
William English: It sort of feels like the vocalist is in a different band...the scratchy growls jar a little with the polished riffs. Altogether William English play very, very heavy music that isn't particularly innovative.
Verses: Epic, hard-hitting rock.
Blacklist Royals: Classic no-nonsense punk, skilfully executed.
There's a few more but I'll check them out later. My sister is practising piano; she has her Grade 3 exam in a couple of weeks.
I'm still uploading to Flickr, here's a couple more tasters:


View many more here.
I've also been trying out various ways of coding an online portfolio; I think I've finally hit on what I've been looking for. I'll stick a link up when it's complete; you really don't want to see the atrociousness of my first two attempts.
Apologies, I Have None: These Londoners play punchy alt-rock that is catchy and instantly likeable. While these songs aren't groundbreaking, Apologies, I Have None are definitely capable of penning something as epic as the Get Up Kids' Holiday.
Basement: This is hardcore punk with a tender edge; while the vocals are typically rough, the music conveys more emotion than the average hardcore band.
fun.: Featuing Nate Reuss of The Format, fun. express themselves with avant-garde pop music that incorporates a variety of instruments.
Boy Jumps Ship: An energetic burst of pop punk; really refreshing.
William English: It sort of feels like the vocalist is in a different band...the scratchy growls jar a little with the polished riffs. Altogether William English play very, very heavy music that isn't particularly innovative.
Verses: Epic, hard-hitting rock.
Blacklist Royals: Classic no-nonsense punk, skilfully executed.
There's a few more but I'll check them out later. My sister is practising piano; she has her Grade 3 exam in a couple of weeks.
I'm still uploading to Flickr, here's a couple more tasters:


View many more here.
I've also been trying out various ways of coding an online portfolio; I think I've finally hit on what I've been looking for. I'll stick a link up when it's complete; you really don't want to see the atrociousness of my first two attempts.
Sunday, 27 June 2010
New (rather whiny) Dashboard Confessional cover...
I learned this song at the start of uni, it's pretty fun to sing but I'm suffering from an unknown illness (which is refusing to be cured by antibiotics) so the vocals are kinda whiny. Oh well. Have a listen here.
Labels:
dashboard confessional,
mp3,
music
Saturday, 26 June 2010
Some (very brief) mini reviews...
I've been catching up on reading Rock Sound, scoured the new music section for some likely looking artists; here's the verdict:
On Off Switch: female-fronted synth-rock. This is edgy pop, reminiscent of Cobra Starship.
Goodtime Boys: high-energy visceral hardcore punk, with some insane guitarwork and equally epic drumming. This is absolutely wonderful stuff, if you're a fan of Gallows, The Ghost of a Thousand or anything like that then this is definitely one to check out.
Wounds: Interesting, heavy sounds, but the vocals on one track are a bit too droney and don't really tie in well with the music. The vocals on the other track are more expressive and work really well.
(I need to stop using hyphenated words quite so much...)
In terms of photos, I've finished processing all the night walk photos and gradually adding these to Flickr. Here's a couple:


More here.
On Off Switch: female-fronted synth-rock. This is edgy pop, reminiscent of Cobra Starship.
Goodtime Boys: high-energy visceral hardcore punk, with some insane guitarwork and equally epic drumming. This is absolutely wonderful stuff, if you're a fan of Gallows, The Ghost of a Thousand or anything like that then this is definitely one to check out.
Wounds: Interesting, heavy sounds, but the vocals on one track are a bit too droney and don't really tie in well with the music. The vocals on the other track are more expressive and work really well.
(I need to stop using hyphenated words quite so much...)
In terms of photos, I've finished processing all the night walk photos and gradually adding these to Flickr. Here's a couple:


More here.
Labels:
goodtime boys,
on off switch,
reviews,
wounds
Wednesday, 23 June 2010
A Selection of Recent Work
Quick update: Not been doing much on the music review front, due to exams (which I got the results for last week, ended my first year of uni with a 1st, somehow!)
Music
I've been on a bit of a Britney/Alexisonfire splurge. Curious mix, but Britney's self-titled album is packed with excellent pop tunes. Alexisonfire are an incredibly skilled band, it's quite enlightening to see how their sound has developed over the years. I've just ordered a copy of vocalist Dallas Green's album, under the name City and Colour. It should be good. I've had the City and Colour track "Confessions" on repeat a lot too, beautiful stuff.
Photos
I have been processing piles of photos in the past week; I've still got a couple of hundred to finish off, but here are a few shots from the last three months or so...
Night Walk with Alex

This is back from the start of summer term; I wanted a light painted shot of the word "PLAY" for Helicon, the uni arts magazine (the theme for the issue was 'play') so Alex and I went on a wander around Bristol. I was pleased with this shot in particular since it's got all three of the lights on, achieved with a long exposure.
Photosoc Tea Social

I was just sitting and musing with a cup of tea when I caught a glimpse of Matt through Alex's glasses. Not very well executed; perhaps I'll follow it up with something properly staged at some point.
Visit to Bath

Visited Bath for half a day. It rained on us. Luckily we were able to seek refuge in a coffee shop, but we had a look around the Abbey and it was phenomenal.
Durdhambury

A lot of my coursemates were at Durdham Hall and they had a festival a couple of weeks ago. This is a shot of Jon from Null Pointer Exception. If I'm honest I think it's just his awesome hairstyle that makes the shot.
Photo Walk featuring Tom Sturdy

Alex and I organised another night walk, which was unfortunately poorly attended. We took Tom (a non-photographer) along with us and played around with lighting arrangements. This particular shot was Alex's idea. Tom held a flash, providing the light on his face. To be fair, a torch would have been more ideal; this way we had to take a whole bunch of shots and hope one of them captured the moment the flash went off. Unfortunately Alex's shot vanished from his CF card and was unrecoverable, but I've still got mine, and here it is.
As always, many, many more photos up here
Music
I've been on a bit of a Britney/Alexisonfire splurge. Curious mix, but Britney's self-titled album is packed with excellent pop tunes. Alexisonfire are an incredibly skilled band, it's quite enlightening to see how their sound has developed over the years. I've just ordered a copy of vocalist Dallas Green's album, under the name City and Colour. It should be good. I've had the City and Colour track "Confessions" on repeat a lot too, beautiful stuff.
Photos
I have been processing piles of photos in the past week; I've still got a couple of hundred to finish off, but here are a few shots from the last three months or so...
Night Walk with Alex

This is back from the start of summer term; I wanted a light painted shot of the word "PLAY" for Helicon, the uni arts magazine (the theme for the issue was 'play') so Alex and I went on a wander around Bristol. I was pleased with this shot in particular since it's got all three of the lights on, achieved with a long exposure.
Photosoc Tea Social

I was just sitting and musing with a cup of tea when I caught a glimpse of Matt through Alex's glasses. Not very well executed; perhaps I'll follow it up with something properly staged at some point.
Visit to Bath

Visited Bath for half a day. It rained on us. Luckily we were able to seek refuge in a coffee shop, but we had a look around the Abbey and it was phenomenal.
Durdhambury

A lot of my coursemates were at Durdham Hall and they had a festival a couple of weeks ago. This is a shot of Jon from Null Pointer Exception. If I'm honest I think it's just his awesome hairstyle that makes the shot.
Photo Walk featuring Tom Sturdy

Alex and I organised another night walk, which was unfortunately poorly attended. We took Tom (a non-photographer) along with us and played around with lighting arrangements. This particular shot was Alex's idea. Tom held a flash, providing the light on his face. To be fair, a torch would have been more ideal; this way we had to take a whole bunch of shots and hope one of them captured the moment the flash went off. Unfortunately Alex's shot vanished from his CF card and was unrecoverable, but I've still got mine, and here it is.
As always, many, many more photos up here
Labels:
alexisonfire,
britney spears,
city and colour,
dallas green,
exams,
photos
Friday, 14 May 2010
Ash at O2 Academy Bristol 30.04.10
I was intending to write a review of this gig, but unfortunately I have been fairly ill and had to get coursework extensions so I never got round to it. I was actually meant to be interviewing the band for Burst, but I had a huge pile of work to finish and was barely able to stand for a week, so I unfortunately was unable to do so. ):
Ash played a phenomenal amount of songs and the new tracks sound excellent live.
Here are some photos:


More: click.
I'm currently on a Reuben kick...just got through 'Very Fast Very Dangerous' and I've put 'In Nothing We Trust' (which for some reason isn't on Spotify) on now. I learnt 'Moving to Blackwater' on guitar, pretty fun to play. No idea how Jamie Lenman manages it singing at the same time though. Skills.
Ash played a phenomenal amount of songs and the new tracks sound excellent live.
Here are some photos:


More: click.
I'm currently on a Reuben kick...just got through 'Very Fast Very Dangerous' and I've put 'In Nothing We Trust' (which for some reason isn't on Spotify) on now. I learnt 'Moving to Blackwater' on guitar, pretty fun to play. No idea how Jamie Lenman manages it singing at the same time though. Skills.
Labels:
ash,
bristol o2 academy,
gig reviews
Thursday, 22 April 2010
Four Year Strong - Wasting Time (Eternal Summer)
Four Year Strong – Wasting Time (Eternal Summer)
While it isn’t as heavy as some of the other songs on the latest Four Year Strong album, ‘Wasting Time’ is a momentum-filled pop punk anthem that has a strong melodic line. This incredibly catchy track is an excellent song for the summer.
While it isn’t as heavy as some of the other songs on the latest Four Year Strong album, ‘Wasting Time’ is a momentum-filled pop punk anthem that has a strong melodic line. This incredibly catchy track is an excellent song for the summer.
Labels:
four year strong,
reviews,
single reviews
Cancer Bats - Bears, Mayors, Scraps & Bones
Review is up on Intuition:
http://www.intuition-online.co.uk/article.php?id=1238
http://www.intuition-online.co.uk/article.php?id=1238
Labels:
album reviews,
cancer bats,
reviews
Thursday, 1 April 2010
The Dillinger Escape Plan - Option Paralysis
Review is up on Intuition: Clicky click.
Labels:
album reviews,
links,
the dillinger escape plan
Monday, 29 March 2010
Foals - Spanish Sahara
Foals – Spanish Sahara
‘Spanish Saraha’ is a crescendoing whirl of abstract music, with a fresh atmosphere. Foals have paired beautiful electronic sounds with a gentle vocal line, which melts into a rougher guitar riff. While this may not be single material, it is a superb piece of music that has many layers of instrumentation.
I have also edited my photos from Lostprophets:

(Single decent shot of Sharks...sadly Kids In Glass Houses had mental lighting that my camera could not cope with, no pictures of them.)


More here!
‘Spanish Saraha’ is a crescendoing whirl of abstract music, with a fresh atmosphere. Foals have paired beautiful electronic sounds with a gentle vocal line, which melts into a rougher guitar riff. While this may not be single material, it is a superb piece of music that has many layers of instrumentation.
I have also edited my photos from Lostprophets:

(Single decent shot of Sharks...sadly Kids In Glass Houses had mental lighting that my camera could not cope with, no pictures of them.)


More here!
Labels:
foals,
lostprophets,
photos,
reviews,
single reviews
Saturday, 13 March 2010
LA Shark - A Weapon
LA Shark – A Weapon
‘A Weapon’ is a decent indie-pop single. Whilst the vocal technique isn’t brilliant, the group vocals meld with the 80s beats and throwback bass riff. The structure of the song is a bit random, with sudden loud sections, but this works quite well.
The B-side isn’t as enjoyable, featuring a strange accompaniment that sounds rather like and electronic harpsichord, which jars with the standard rock drumming. The vocals are a bit tuneless in places, which detracts from the fairly catchy refrain.
‘A Weapon’ is a decent indie-pop single. Whilst the vocal technique isn’t brilliant, the group vocals meld with the 80s beats and throwback bass riff. The structure of the song is a bit random, with sudden loud sections, but this works quite well.
The B-side isn’t as enjoyable, featuring a strange accompaniment that sounds rather like and electronic harpsichord, which jars with the standard rock drumming. The vocals are a bit tuneless in places, which detracts from the fairly catchy refrain.
Labels:
LA Shark,
reviews,
single reviews
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