Recent gigs ramble

Hello lovely people!

I've just come to the end of the assessment period of my second term of the MA, which is a huuuuge relief. We only had one exam, but there was also an investigative and a multimedia portfolio to hand in this week, so I'm glad it's all over and done with.

That said, I still have my final project to do, but the pressure is off (at least until the panic of getting everything handed in in September happens).

Ramble!

Anyway, I went to a couple of gigs recently to break the monotony of revision and coursework. First was Hit the Deck fest - I totally managed to fail here, I bought the ticket, realised it was the same day as a hen do, panicked, went "Ah **** it, it's Brand New" and decided I'd skip most of the festival and just see Saves the Day and Brand New in the evening to maximise my time at the hen party. I've seen both before but...it's Brand New! In my defence, I tried to get tickets to the London show but that sold out so fast (do I need to say it again? probably not, but, BRAND NEW).

Unlike many critics, I did enjoy the two newer Saves the Day albums, even though they're just not as good (in my mind) as Sound the Alarm, which is the record that got me into the band. They do lack that vibrancy that the older stuff has, so it's great to see the band play newer tracks live - I feel like if they'd recorded them with that much passion, people probably wouldn't have whined so much about the albums. Speaking of whining, I don't know what it is, but Chris Conley's voice gets higher and higher every year, I swear. So, Saves the Day were ok, but unfortunately not as fun as when I saw them a couple of years ago. 3/5, if you want me to give them a score.

Then Brand New came on and played a song I honestly didn't recognise, but setlist.fm tells me it's a NIN cover. Fair enough. I would have preferred something like Sowing Season to kick off the set, but that's not really much of a complaint. They played a pretty good mix of songs from all four albums and it was basically just as good as the last time I saw them (which was bloody fantastic) but better in that I stood halfway up the stairs in the O2 Academy so I could actually see things.  It does boggle my mind a bit that their last record came out in 2009, but nobody seems to care too much about the band bringing out new material because their back catalogue is just that good. My rating: Brand New out of Brand New. (Make of that what you will.)

Ahem. Enough of the fangirling and on to the next gig!

This was pretty special - Funeral for a Friend doing a tour in which they play the Hours album in full. They were supported by some shouty fun men, More than Life (3/5), who I probably would have enjoyed way more if my ears hadn't gone all old lady on me and begged to be let outside into the quiet. Then Boysetsfire (4.5/5) played - I actually only know one of their songs but my goodness, this is a band that knows how to rock a stage. I don't think I've ever enjoyed a band I didn't really know live this much, so stacks of hats off to Boysetsfire!

Now, Hours is a pretty special album for me. It came out in 2005, back when my music collection was tiny, so I listened to it a lot while I was working on my Art & Design GCSE and dealing with a lot of bad (like, actually bad, not just teen angst bad). As singer Matt Davies-Kreye said, tracks from Hours are fairly neglected in FFAF setlists, so them playing it in full was just lovely. They finished up the set with a few classics and a new song that wouldn't have sounded out of place of Hours, in my opinion. I'm going to go with a solid 5/5 here. I'm biased. This is just a ramble, I am allowed to be biased.

Right, I've probably got my gig quota sorted for the year now, so I think next on the agenda is some comedy...(telepathic note to Russell Howard, please play in Bristol soon, thanks).

Bristol International Balloon Fiesta and Grammatics

Bristol International Balloon Fiesta
Last week I was in Bristol for the Balloon Fiesta. We walked up to Ashton Court Estate on Thursday to see the Night Glow, which was pretty fantastic. I have to say that I think my photos taken during the walk up were more inspiring, though. We found a skip with an assortment of oddments in and Josh got out a pair of scales. Alex and I spotted a photo opportunity!



Here's a balloon picture:



More here.

Unfortunately the balloon flights were cancelled on a few occassions, but we didn't actually intend to head up to Ashton Court again since it was an hour long walk as Clifton Suspension Bridge is closed during at certain times during the festival.

Grammatics + The Heartbreaks + Kill Cassidy
On Saturday we headed to Start the Bus as Lis wanted to see Grammatics, since it was their farewell tour. I hadn't really listened to Grammatics before so I wasn't sure what to expect.

Kill Cassidy were really excellent; the whole band had a cohesive energy that was infectious. The violent nature of their music worked well in the small venue. Definitely a band to check out live.

As I was expecting more heavy punk-pop, The Heartbreaks were fairly disappointing. Generic, hipster indie rockers, The Heartbreaks' performance was mediocre at best. The drummer was incredibly over the top; it was as if he'd sucked all the energy out of the other band members, as they limply plodded through some uninspiring tracks. At one point the guitarist remarked it was a "tough crowd", which didn't help the atmosphere.

Finally, Grammatics took to the stage with a large dose of disillusionment. The bassist often made pessimistic comments, a detriment to those trying to enjoy the music. Some of the songs were phenomenal, while others weren't nearly as enjoyable. The cello seemed superfluous on a few tracks, but really added a lot to the performance on some of the songs. Vocalist Owen Brinley's somewhat theatrical demeanour added extra zeal to his delivery, which was hampered by the fact the band were crammed onto a tiny stage while the support acts had performed on the dance floor. Grammatics were really quite phenomenal at times, and a more discerning view when choosing the set list would have helped.

Overall ratings:
Kill Cassidy - 7/10
The Heartbreaks - 4/10
Grammatics - 7/10

Ash at O2 Academy Bristol 30.04.10

I was intending to write a review of this gig, but unfortunately I have been fairly ill and had to get coursework extensions so I never got round to it. I was actually meant to be interviewing the band for Burst, but I had a huge pile of work to finish and was barely able to stand for a week, so I unfortunately was unable to do so. ):

Ash played a phenomenal amount of songs and the new tracks sound excellent live.
Here are some photos:





More: click.

I'm currently on a Reuben kick...just got through 'Very Fast Very Dangerous' and I've put 'In Nothing We Trust' (which for some reason isn't on Spotify) on now. I learnt 'Moving to Blackwater' on guitar, pretty fun to play. No idea how Jamie Lenman manages it singing at the same time though. Skills.

iTunes Festival London 2009: Fightstar + Young Guns

iTunes Festival London
Fightstar + Young Guns at the Camden Roundhouse
2nd July 2009

Stepping in at the last minute for In Case Of Fire, whose singer was under doctor’s orders not to perform, Young Guns were ridiculously energetic and frontman Gustav Wood exuded confidence, dashing from one side of the stage to the other, energizing the crowd. Despite not being familiar with their music, it was highly enjoyable and everyone seemed to be having fun. Young Guns’ vibrant live set definitely hails them worthy of their Kerrang! award nomination.

Fightstar played a set filled with fan favourites and singles. Although the band members were definitely on form, the spectators seemed fairly lukewarm and restive, until about halfway through the set when thrashing out the immense Palahniuk’s Laughter and Grand Unification (Part I) seemed to rejuvenate most people. The highly addictive Mercury Summer was well received and it was excellent to see Lost Like Tears In Rain rounding out the set. Vocalist Charlie Simpson and guitarist Alex Westaway returned armed with acoustic guitars for the encore, Amethyst, which was simply beautiful. Following this, the rest of the band returned to perform Deathcar, arguably one of the band’s best tracks and the perfect end to the night.

More pictures here.

I also saw Jack Penate with Golden Silvers but I haven't written a proper review of that. It was pretty fun though!